As you know we're no huge fans of Milan. Love the city. Don't love the size and cost of their furniture fair and design week. A couple of months ago we spoke to Giulio Cappellini, one of those who have been part of "Design Legend Milan" since the earliest moments, and he told us that, in his opinion, Milan had to be careful that it didn't all become too big. For us a design festival where it is physically impossible to see everything is pretty close to our definition of "too big."
read moreOn May 6th the inaugural, and quite possibly concluding, EuroDesignExhibition opens in Düsseldorf. Under the title "“Sit down please” 40 Stools from 40 Countries" an array of young international designers have been challenged with describing their country in a stool. Ahead of the opening we spoke to Denmark's representative Monique Engelund about her entry: When I got the brief for the exhibition and read "How do you sit in your country?", "Make a stool that tells a story about your country",
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Among the more interesting co-operations we saw in Milan was the first product from Konstantin Grcic for Azucena. Entre-Deux is a very simple, reserved screen/divider/barricade - but as we say, the interesting point is the cooperation. And so to find out more about how it arose and how it could develop in the future we spoke briefly with Konstantin Grcic. (smow)blog: Starting with the obvious first question, how did the cooperation between yourself and Azucena come about? Konstantin
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In addition to his Kids Only Collection, Richard Lampert presented two new products in Milan: Stijl by Alexander Seifried and Stak by Patrick Frey. Just as developing a kid's range was long a wish of Richard Lampert, so too was the rehabilitation of the much-maligned kitchen corner bench, once so popular in alpine homes. We know people who are of the opinion that there is no need to rehabilitate the unparalleled genius that is the corner seat bench. Why have your kitchen chairs standing in
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As you know we are big fans of Brooklyn designer Jason Miller. And of the from Jason Miller established lighting company Roll and Hill. Launched in January 2010 as a high end manufacturer of contemporary lighting, Roll and Hill currently features the work of 6 design studios and aims to bring an "American perspective" to the international lighting market. In Milan Roll and Hill presented their second collection, or at least the first part of the second collection. A further two pieces will
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Sometimes its hard to remember that Milan isn't just about showing off how clever you are. Its also about furniture. Consequently an interesting barometer for us is what catches the attention and fancy of the (smow)team. What do they want to see in the (smow)collection. What do they find good. What do they find interesting. They are often wrong. But it's still good to know. And yes, we know design is also subjective. On Facebook we have posted a gallery of some of their Fuorisalone Milan
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Back in snowy Stockholm we met up with Arik Levy and amongst other topics discussed his residency as Stockholm Furniture Fair Guest of Honour. In sunny Milan we briefly caught up with Arik Levy again; principally to follow up on how Stockholm had been for him but also to gather his opinions on the importance of Milan. (smow)blog: Is Milan Design Week still important, is it still relevant? Arik Levy: Milan Design Week isn't the expression I would choose. The fair is very important, what
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The story of Azucena begins in Milan in 1947 when a group of young Milanese architects decided to start producing their own furniture and fittings for their buildings. Working with a mix of industrial and artisan suppliers to create a collection of modern, and at times highly experimental items, Azucena were one of the first "designer furniture" companies to emerge in Italy. And arguably Europe. However, whereas many of those companies who came after them have gone on to achieve global
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The Triennale Design Museum Milan opened their exhibition "Dream Factories: People, ideas and paradoxes of Italian design" a week before Fuorisalone Sadly they didn't use the week to test drive it - and then reduce the volume. Intended to explore those producers who have contributed to the rise of Italian design since the end of the Second World War "Dream Factories: People, ideas and paradoxes of Italian design" is simply too much input in too small a space. As Everything Everything so
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Burg Giebichenstein graduates Stephan Schulz and Paul Evermann are presenting a joint show at this years Salone Satellite with each presenting one and a half new products. That's one new product each. And a joint creation. The joint project is called wardrobe bench - and does pretty much what it says on the tin. Its a clothes hanger. And a seat The bench element is made from one piece of plywood, cut by water jet and then the outer element is set a little lower. Through this displacement,
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At the 2011 Milan Furniture Fair Vitra are presenting a range of new products from designers including Konstantin Grcic, Antonio Citterio and Barber & Osgerby. Ahead of the official launch we caught up with Vitra Chief Design Officer Eckart Maise to discuss the new products and the Vitra Home Collection in general. (smow): Herr Maise, before we discuss the new products, and maybe as a little helpful background. How does a company like Vitra develop a collection? Do you go to a designer and
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Last month we posed the question "Is Milan design Week still relevant?" And Antje was kind enough to join our debate. Thank you! We assume everyone else found the question so obviously correct that you didn't feel the need to answer. And yes, of course we are going this year. As our old nan used to say - "It's like an away match in Zwickau on a fine November evening. Not going is not an option!" In addition to perusing the newest products, ideas and concepts we have a top series of
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One of the most famous - and arguably professionally relevant - phases in Verner Panton's life was his journeys through Europe. Following his graduation from Copenhagen Art school Verner Panton gave up his position with Arne Jaobsen, converted his VW bus to a basic mobile studio and set off on a series of tours throughout Europe during which he made contact with numerous designers and producers. While its probably fair to say that this experience alone didn't shape his future work - the
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Bo Bech is a baker in Copenhagen. Bo Bech bakes one kind of bread. It's available in one size. At one price. Bo Bech bakes one batch and when that batch is sold out he closes the shop. As a business concept it could not be simpler. Just try explaining it to an average German who has heart failure if presented with a choice of less than 17 types of bread. A baker ? With one type of bread ? How does it survive !?!? Which, to paraphrase the late Rabbi Lionel Blue, is a lot like USM Haller.
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Last summer we spent our annual holiday weekend in a small museum in the north of England discussing the life of a man who had hung himself 30 years previous. And folk say we don't know how to relax. The town was Macclesfield and the subject was Joy Division singer Ian Curtis. Unquestionably one of the truly iconic figures in music history, the cult around Curtis is based to a large extent on a combination of his early death and the photos of the band. One of the speakers at the conference
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Last Friday we spent a highly enjoyable - and successful - day at and with Vitra. Texts to follow. We were just a little irritated by two demarcation issues. Like an analogy for the anthropogenic absurdity that are national borders, Basel Airport sits in both France and Switzerland. And has two passenger exits: One into France, one into Switzerland. We left through the Swiss exit. Our driver was waiting in France. Between us in the terminal building a glass wall. Outside a fence. What
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Despite the fact the everyone knows that the Eurovision Song Contest hasn't been any good since Bucks Fizz got all pseudo-erotic in Dublin in 1981: the carcass of the dream is still flogged remorselessly every spring. Last year Germany won and so on May 14th Dusseldorf will host European broadcasting's biggest gannet fest. Perhaps the saddest aspect of the whole tawdry spectacle is that amid the drive to appeal to the lowest common denominator of European taste, the identity and
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Vitrastanden på Orgatec 2010 var domineret af især to tegnestuers arbejde: Antonio Citterio og Ronan og Erwan Bouroullec. Udover at præsentere nye variationer af deres Alcove Sofa og Playns 'workstation', løftede Vitra også sløret for Bouroullecs nye 'Communal Cells' - modulære skillevægge/indretningsarkitektur-systemer og deres 'High Meeting Table'. Foruden at diskutere de to brødres kommende yacht-projekt, talte vi også om de nye Vitraprodukter, om hvordan brødrernes eget kontor ser
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In a past life we earned our living from grapes - we grew them and others turned them into wine. Back then our year had a comforting cadence and seasons that meant something. Then came our wild period in the international designer furniture world - days and months merging, senselessly, into one another. Thankfully, older and wiser our year once again follows the peaceful, pastoral, pattern of old. January IMM Cologne February Stockholm Design Week March Leipzig Buchmesse etc etc etc
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We're fairly certain we posed this question last year - but proudly do so again. Is Milan Design Week still relevant - or is it just a big waste of time, money and resources? The question raises its head because we are currently sitting here planning firstly if we're going to go and secondly if so in what sort of numbers and with what aims. Last year we collected a few opinions on the purpose and function of Milan Design Week and Salone Milano- and among other comments Ronan Bouroullec mused
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Name: Christoffer Martens Born: Bremen, 1975 Alma mater: Product Design, University of Applied Science, Potsdam Internships: Alfredo Häberli, Zürich Products: Siebenschläfer for Nils Holger Moormann, Aschau im Chiemgau Spross for Nils Holger Moormann, Aschau im Chiemgau Obstrutsche for emform, Bockhorn Buchhalter Potbase (smow)blog: How did you arrive at product design? Christoffer Martens: I initially trained as a graphic designer and then worked in a media agency for a few years.
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We don't suppose it will come as any real surprise that we were taken by Axel Bjurström's Dolly Table. Part Gangsta Lean, part Collecteur, part Liesmichl, part inspired genius - we really couldn't not like it. A graduate of Konstfack, Stockholm's renowned design university, Axel Bjurström established his own studio Bjurström Design in 2004. Although much of his work until now has been interior design Axel also creates his own pieces. And that with a wonderfully light yet self-confident
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It's fair to say that for us the real shock of IMM Cologne 2011 was the number of senseless sofa combinations and truly, truly, hideous leather cantilever dining chairs on show. And that despite that fact we were expecting such. It of course wasn't all cheap pointless tat, there were also some wonderful young designers on show and one or two brave producers with genuinely interesting, innovative and aesthetically coherent product ranges. They were sadly in the minority - and we fear that in
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Name: Erik Wester Born: Oslo, Norway Alma mater: Furniture and product design, Kingston University London Products: Standing Task Light Tartan Modular (smow)blog: Why the decision to become a product designer? Erik Wester: That’s what I like doing! Since I was small I’ve been interested in drawing and building and was searching for what I could use my skills for and arrived at product and furniture design. (smow)blog: And why the decision to study Product and Furniture Design at
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