Obviously in his old age our colleague with the camera is getting a little slower. He'd only just recovered from the shock of getting photographed by Christoffer Martins at the Nils Holger Moormann "Hölle von Aschau" race day: when in drops another snap of him pushing the limits of design photography. And his own physical capabilities. Snapped with an iPhone by Eindhoven photographer Kasper van‘t Hoff while documenting the "Great Taste for Waste" exhibition in Kasper's Klokgebouw atelier, the
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We seem to remember getting really annoyed once by the number of platform seats on display at European design events. However two projects have renewed our faith in the possibilities offered by raised seating. Tur-Tur by Eric Degenhardt from the Richard Lampert Kids Only Collection. And Konstantin Schmölzer @ Verdarium The project sadly doesn't seem to have a name; however, in essence it involved creating a space that offered stability, security and a place from which to quietly observe and
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The final stage of our 2011 autumn tour took us to Neue Räume Zurich, Switzerland's largest designer furniture trade fair. And quite possibly Switzerland's most bemuddled designer furniture trade fair. We do appreciate that the organisers are trying to make Neue Räume all things to all men, and offer a wide range of products, producers and design directions. And we really liked what the organisers were trying to do. But somehow squeezing so much into such a relatively small space just
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"Wooden spoon for pickled vegetables by John F. Kennedy" ? ? ? John F. Kennedy. Green Mountain Woodcrafters, Vermont. And no relation of Teddy or Robert. Still cheered us up. From March 20th until April 25th 1951 Stuttgart hosted the first post-war exhibition of modern American home furnishings and appliances in Europe. Organised by the New York Museum of Modern Art under the title "Design for Use, USA", the exhibition featured a cross section of American domestic design. And a Who's
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We imagine most of our readers don't understand that much about drums. We certainly don't. Or at least didn't. At Designers' Open we learnt a lot more. And it's a lot more fascinating than you might imagine. Specifically we learnt about the Zoom Bass Drum System from Leipzig based Rockstroh Drums. In essence, in order to change the sound of a bass drum, you have to adjust the tension of the skins. Which involves a lot of work. And takes a lot of time. Rockstroh Drums, working in
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One of our highlights at Dutch Design Week 2010 was Made Out Portugal #1, and so logically we were keen to see how the project had developed over the past 12 months. At the most obvious level, in comparison to their first show the project has expanded and now includes Portuguese designers who aren't based in Holland. Which was of course one of the aims of the project, to create a network of exiled Portuguese designers. And so in that sense the project certainly appears to be moving in the
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Although it has been quiet around Erik Wester of late, it's fair to say he remains our favourite Norwegian designer. However he now officially has competition. At Designers' Open 2011 a group of 10 Norwegian design students presented examples of their work on a joint stand under the title "Look to Norway" Quite possibly, the first ever Norwegian design to be seen at Designers' Open. For us the most interesting pieces were Le Korpusiør by Jørgen Platou Willumsen - a very simple yet endearing
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Back in the 80s there was nothing Hannibal Smith liked more than when a plan came together. Obviously we don't know such a feeling, but nothing gets us reaching for a hand-rolled Havana and grinning somewhat malevolently as much as when Lady Luck binds the various strands of our Blog together to give the impression of a coherent plan. Back at Norm=Form, Timo de Rijk argued that all modern design is simply a recreation of older standards - because the public expect a product to have a specific
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Inspiration for a design exhibition can come from the most unlikely of places. Even the rubbish your dog picks up and brings home. Kasper van ‘t Hoff's black lab Gus likes to pick up rubbish and bring it home. Rather than throw it away, Kaspar keeps the rubbish and photographs it. Kasper van ‘t Hoff is a photographer. So it's not weird. If he wasn't it would be. One day Kasper told ceramic artist Marina Relou about Gus and both agreed that he should be honoured for his contribution to
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Its a real Milan feeling in the (smow)blog team at the moment; as we face an impossible number of parallel exhibitions and events. With Eindhoven and Qubique already running Designers' Open Leipzig 2011 opened it's doors to the public this morning. Although to be fair, it is very nice to be able to get back to the office to type. The top story is that the move to the Baumwollspinnerei is, at least from a visitors perspective, a full success. Halle 14 has just a wonderful ambiance that
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Where photographic evidence exists that indicates the possible existence of the Loch Ness monster or the Yeti, until recently no photos existed of a mythical beast twice as shy and eight times as hirsute. The simple reason being that with over 60 years experience and a natural mistrust of cameras, the (smow)blog photographer can hear a lens cap being removed at over 1 kilometre. However during the Hölle Von Aschau, Siebenschläfer designer Christoffer Martens managed the unmanageable. As a
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Pretty much half-way between Piet Hein Eek's design wonderland and Sectie C, with among other tenants Nacho Carbonell, is Atelierdorp. Based in an old office block near the middle of town, Atelierdorp is both a workspace for designers and platform for contemporary design and research. With a wonderful view over, but sadly not into, the PSV Eindhoven stadium Under the title "In Between" Atelierdorp's exhibition during Dutch Design Week 2011 explored the relationship between the fluid state of
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During Dutch Design Week the Eindhoven based design platform Onomatopee is hosting an exhibition looking at ways of adding cultural value to raw materials. In a time when raw materials are becoming rarer and our economic prosperity ever more dependent on the fluctuating prices of such, how can we disengage from this cycle and give these economic materials a cultural value? Or, put another way, how can we use raw materials in an alternative fashion, that removes them from the economic cycle
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During Dutch Design Week 2011 Premsela, the Netherlands Institute for Design and Fashion, opened an exhibition in the Designhuis Eindhoven that both celebrates Dutch Design Week's 10th anniversary and honours 15 Dutch designers who got their break and/or made their name in Eindhoven. Rather than simply present the 15 in isolation, curator Miriam van der Lubbe presents them in the context of a young designer they admire and of someone who inspired them. And so, for example, Richard Hutton is
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Twenty four hours before Sebastian Vettel sealed his second F1 drivers title in Japan, Markus Jehs and Jürgen Laub were securing victory in an event that stands a vertical cliff face higher than F1 on Mount Motor Sport and to which Vettel himself hopes to ascend, once he gets a bit better at driving: The Bookinist Cup. For many the Bookinist was developed as an armchair in which one could sit and read; surrounded by your favourite literature. This however is one of the crueler droplets in the
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Keynote speaker at the Norm=Form Symposium that took place in Leipzig in early September was the Dutch design historian Timo de Rijk. Timo also curated the exhibition Norm=Form, and co-edited the accompanying book. In the course of a highly entertaining and thought provoking speech Timo tracked the story of standardisation over the centuries and presented his opinions on why we have standards. Including a hilarious comparison between the Chinese Communist Party and industrial designers.
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On November 1st we'll be in Zurich for Switzerland's biggest designer furniture fair Neue Räume, and hope to use the trip to research the current state of the industry in Switzerland. More interestingly, from October 14th - 16th the collective behind Depot Basel are offering interested parties the chance to get to know a few practitioners from the creative scene in Switzerland, and so get a feel for what is currently happening in the land. Featuring the industrial designers Dimitri Bähler and
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One of the most original, and entertaining, exhibitions at Vienna Design Week 2011 was kidsroomZOOM. Curated by Paola Noè from Gallery Unduetrestella Milan and Thomas Maitz from Austrian kids furniture producer Perludi, kidsroomZOOM was a delightful, turn of the century, downtown Vienna flat furnished especially for kids. Adults were allowed in; but hadn't been considered in the planning of the exhibition. Featuring works by producers and designers as varied as Thorsten van Elten, Rijada or
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As we stood in a cold-storage centre in west Vienna looking at Ljod by Copa, somehow we knew it was also training for the rapidly approaching winter. We just didn't realise how quickly it would come. A mere 72 hours later we found ourselves standing on the station platform at Prien in Chiemgau. Air temperature 4 degrees. By the time we reached Aschau, the first snow of the winter was busy dusting the tops of the Chiemgauer Alpen. And we began considering if it wasn't, slowly, time to swap
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There is nothing a newspaper sub-editor loves more than photos of an ice sculpting contest: blue sky, shimmering ice, chainsaws. And indeed nothing the manager of a 5 star hotel restaurant loves more than a well sculpted block of ice to crown an obviously over-priced buffet. However, ice isn't just chipped for the sculptural; it is popular as decorative bar furniture in winter climes and could arguably also be used for public furniture in those parts of the world where the winter temperatures
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We traditionally start our Vienna Design Week Passionswege tour at J. & L. Lobmeyr. And it is always an appointment that fills us with trepidation. Not because we fear J. or indeed L. Lobmeyr. Put it this way. A shop. Full of exquisite bone china. Full of exquisite crystal. Us. What could possibly go wrong ? And so maybe Philippe Malouin had us in mind when developing his project for Vienna Design Week 2011. And incorporated wood into his hourglasses. "Time is a quality that makes
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At Fuori Salone Milano 2011 we helped Moormann construct their stand. And of course took the opportunity to chew the fat a little with company founder and eponym Nils Holger Moormann. Variously described as being an autodidact, pioneer or provocateur, for us Nils Holger Moormann is simply pleasant company and the guarantee of well considered and soundly opinionated discussion. In the course of the Milan interview we covered the new products, the current state of the furniture industry and,
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In a New York Times piece by Alice Rawsthorn1 we read that Enzo Mari once said that he wanted to make things that factory workers would like to produce. In his UdK Berlin talk, Enzo Mari touched on a similar vein describing, in the course of various monologues, the drudgery of badly paid workers in factories producing goods that no one finds attractive and the majority of which are in any case destined to become waste. When I see an object he said, I ask who will this make happy? People
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Under DMY Berlin 2011 lancerede Daniel Wahl aka Weltunit sit nye skrivebord Wilbur. Bordet er specielt designet til den klassiske Egon Eiermann bordramme, og Wilburs primære funktion er at hjæpe brugerne med at genvinde kontrollen over deres arbejdsareal. Hvad de fleste ikke ved er, at Egon Eiermann udelukkende designede bordets ramme, da det var meningen at brugeren selv skulle levere eller fremstille deres egen bordplade - mange af Eiermanns studerende brugte eksempelvis gamle døre på
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