Many of you will remember the exhibition "Great Taste for Waste" that was staged at Dutch Design Week 2011 AGF Class 3 Bowls by Renee Boute would have been a wonderful addition. AGF is an abbreviation of "Aardappelen, groenten en fruit" -"Potatoes, vegetable and fruit" - and Class 3 refers to quality Class 3, so damaged examples that can no longer be introduced into the food chain. Or at least not into the "individual" food chain. Utrecht School of the Arts' graduate Renée Boute took these
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Probably on account of all the wood, upcycling and back-to-basics on show at Milan Design Week 2013, Granoff Sofa by Rhode Island School of Design (RISD) alumna Scot Bailey, Taylor McKenzie-Veal, Ian Stell and Yumi Yoshida stood out like a burger bar in Rovaniemi on Christmas Eve. An unexpected, inignorable and ultimately very welcome delight. And that despite, or better put because, we completely misunderstood what was on display. Created for the Granoff Center for the Creative Arts at
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As we believe we've said before it is always especially pleasing when a designer you first got to know as an unkempt, idealist student, finally signs their first serious contract with a major manufacturer and so sets of a, hopefully, long and successful career. Similarly it is always very pleasing to watch a newly established business grow and develop; especially when it's one established with the goal of advancing contemporary design and the designer's lot rather than simply generating a fab
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Although as a general rule we don't want to think about Vienna Design Week during Milan Design Week - as it means thinking beyond the summer, and that before we've really felt the warmth of the sun on our milk white skin - the touring exhibition Werkstadt Vienna showing at Ventura Lambrate is a delightful exception. Because it brought back so many memories and ultimately reminded us just why we put ourselves through this. Curated by Sophie Lovell and featuring an exhibition design by Studio
read moreBack at Saloni Milano 2010 Ronan Bouroullec told us about his feeling that the internet and new technology could, perhaps even should, eventually, replace the resources and time invested - and ultimately wasted - every year in an event such as Milan Furniture Fair. In 2013 everyone's favourite German conceptual contemporary furniture manufacturer Moormann, have made the start. And in doing so proved that even from the pastoral calm of Aschau im Chiemgau, one can still be part of the Milan
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For us one of the highlights of Saloni Milano 2013 was/is Italian manufacturer Mattiazzi. And not just because they have managed to eke a chair out of Jasper Morrison that, in our opinion, is one of his better, and certainly more interesting, of recent years. Established in 1978 Mattiazzi is, if we correctly understand, essentially a network of woodworking facilities in Udine. For three decades the company served as a supplier of wooden parts for other furniture manufacturers before
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Back at Designers Open 2011 Norwegian designer Caroline Olsson caught our attention with "Curious", a wooden lamp inspired by pencil cases. At Salone Satellite 2013 Caroline has gone one better and is presenting a wooden lamp that is a pencil case. Which seems like an obvious development. Nothing more complicated than an oblong birch box, the beauty with Pencil Light is the metal mechanism that allows the lid to be raised, lowered and positioned. The illumination is in the lid, set a little
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Those Milan Design Week visitors brave enough to venture north of Garibaldi Station, yes there is civilisation up there, will be rewarded by an exhibition that demonstrates just how easily architecture, art and design can co-exist without threatening one another's integrity. Design, architecture and art combined in a borderless display of unity, tolerance and respect. Which sounds like a nice response to the current political situation in Italy. It isn't meant as such, but.... Magic Moments
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As it was our first event of Milan Design Week 2013, we're honouring Artemide with the first post from Milan Design Week 2013. And in specific Empatia by Carlotta de Bevilacqua and Paola di Arianello, for us the stand out object in the Artemide 2013 collection. It will sound like damning Carlotta and Paola with faint praise when we say that the overwhelming majority of the new Artemide products are architectural lighting - all technically very interesting, just architectural lighting - and
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Before Milan Design Week and Furniture Fair really get started we took the opportunity to relax a little and to visit Milan's contemporary art fair, MIART, and for all their new "Object" section devoted to contemporary design. Curated by Michela Pelizzari and Federica Sala "Object" presents 10 design galleries from Italy, France, Israel and the Lebanon. Ten international galleries presenting an equally cosmopolitan pallet of objects, ranging from limited edition pieces from the 1950s over the
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Back in March 2011 we bemoaned the position of the fence surrounding the Vitra production facility in Weil am Rhein, and for all the disruption to the view across the Vitra Campus. Before the construction of the VitraHaus the fence offended no one, but since.... "Mr Fehlbaum, tear down this wall! Or at least move it a little bit. Please.", we cried. Paraphrasing the lonesome cowboy. And much like Mikhail Gorbachev needed two and half years to respond to Ronald Reagan, so too will it take
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In little under a week the Doors of Hell will once again open to release Milan Design Week on our unsympathetic, unapologetic world. The normally pleasant, quiet and reasonably priced Lombardian metropolis will be overrun by molten rivers of corporate greed and naive student hope, transforming the canals, parks and former industrial sites into burning pits of contradiction, imitation and pure gold. Survival is a question of ignoring reality and convincing yourself that everything is brilliant
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As with so much of Ron Arad's commercially available, serially produced, furniture designs the story of Tom Vac starts a long, long way away from the domestic conformity one has become accustomed to seeing them in. In this case the story begins on a street corner in Milan. In 1997 the Italian architecture and design magazine Domus launched a PR campaign which involved asking contemporary designers to create an installation which embodied the fundamentals of the magazine. The first commission
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Following on from the 2011 exhibition "Kibbutz and Bauhaus", the Stiftung Bauhaus Dessau is currently presenting a further exhibition devoted to the global reach of Bauhaus. Or perhaps better put, a further exhibition devoted to exploring the extent of the global network to which Bauhaus and its students belonged. This time the journey goes to India. And whereas "Kibbutz and Bauhaus" was largely concerned with architecture and urban planning, "Bauhaus in Calcutta" is pure art. In 1922 the
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Until June 23rd 2013 the Klassik Stiftung Weimar are presenting the exhibition "Henry van de Velde. Leidenschaft, Funktion und Schönheit" Conceived to celebrate Henry van de Velde's 150th anniversary "Leidenschaft, Funktion und Schönheit" is, according to the Klassik Stiftung Weimar, the first exhibition to fully explore van de Velde's complete creativity from his earliest artistic endeavours over his applied arts and furniture design work and onto his architecture, interior design and
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For us the biggest surprise with the announcement that Designers' Open 2013 would be staged in the Glass Hall at Leipzig Messe was the fact that it surprised us. The new organisers are after all Leipzig Messe........ However, somehow it never occurred to us that they would stage it in Schkeuditz. Yet, according to the official press release, having considered "...a multitude of locations...." in Leipzig they decided to host it themselves. A decision we can't pretend to support. For us
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On Friday March 22nd the Ungers Archiv für Architekturwissenschaft Cologne present a new edition of their Ex Libris series. We first discovered Ungers Archiv when we visited the exhibition Stool 60 by Alvar Aalto during IMM Cologne 2013. And we're very impressed, especially by the library, or as we put it "...one of the most comprehensive and enchanting private architecture libraries you’re likely to come across." However much as the Internet is full of spam until you start looking for
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In 1991 a couple of "fools" - not our words, not even their words, rather the politely paraphrased words of an institution in Baden-Württemberg who really should have more foresight - decided to launch a sales fair for contemporary designer furniture in Stuttgart. A sales fair where young designers could present their self-produced work direct to the buying public. In 1992 the first blickfang Stuttgart attracted some 42 exhibitors; no mean feat when you consider that blickfang was one of the
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Until April 9th the Wasserschloss Klaffenbach Chemnitz is presenting the exhibition Eames by Vitra. As we wrote in our initial post, Eames by Vitra presents a complete overview of the Charles and Ray Eames chair canon complemented by texts, photos and videos that explain the background to the Eames Studio. It is not an exhibition that completely explains the creative phenomenon that was Charles and Ray Eames. But then it doesn't set out to be. It's all about the chairs. Eames by Vitra in
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In a recent idle moment, we got to thinking.... if the Chinese - at least according to popular perception - just keep copying design ideas from others. Why don't we copy their designs? That'll teach them! We reasoned. A reasoning which of course brought home just how pointless the idea was. It would't teach no one nowt. The cheeky dogs at Droog Lab however have copied Chinese designs. But not out of revenge, rather as an exploration of the possibilities presented by copying. "The
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Its probably fair to say that had Porsche wanted to build their new museum in Stuttgart city centre, the planning permission process may have taken "some time" And would invariably still be "under consideration". Fortunately they decided to build the museum next to their factory in the Stuttgart suburb of Zuffenhausen, a location where they have more or less feudal sovereignty, and so we are all now able to behold what is without question the most imposing and brazen architectural project
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As many of you know we officially gave up reporting on private design awards a couple of years ago - for us the emphasis in such awards is more often than not too heavily biased towards generating income for the organisers rather than helping or otherwise furthering the designers and their works. And as such don't merit our support. While some awards are obviously more honourable than others; we decided ignoring all would be fairest. However as Angela Merkel continues to teach us: what is
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In the past couple of years we have often referred to, but never actually shown, the shelf "Das Brett" by Belgian designer Kaspar Hamacher. A shelf that is one of our abbiding memories of Milan 2010. That and nearly drowning..... The release of Watn Blech by Bernhard Osann for Moormann however provides the perfect opportunity to right that wrong. What attracted us to Das Brett, and has always remained with us, was the very simple principle behind the piece. By gently inclining the shelf
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A couple of years ago N.W.A. frontman Ice Cube shot a short celluloid tribute to Charles and Ray Eames. Without even having to use his AK ... We didn't think anything more culturally acontextual could happen to the pair. And now ? On Thursday March 7th the exhibition "Eames by Vitra" opens at the Wasserschloß Klaffenbach in Chemnitz. A Charles and Ray Eames exhibition. In Chemnitz. The story of Charles and Ray Eames as furniture designers starts with their collaborations with Hermann
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