We're not going to pretend everyone is enamoured with our constant pops at Chemnitz. Truth is for the majority our behaviour lies somewhere between adolescent immaturity and the senseless ravings of an embittered pensioner. And indeed all did in fact begin when we were immature teenagers. And we've long since reach the enviable status of rancorous elder citizens. But despite being unenamoured with our demur, most have accepted and understood that it is nothing personal, that it is just an
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At Design Miami Basel 2013 one of the more impressive presentations was without question the collection of Alvar Aalto furniture shown by Stockholm/Berlin based gallery Jackson Design. A presentation that included rare examples of Alvar Aalto's furniture for and by the Finnish manufacturer Artek. And all available for purchase. Basel based furniture manufacturer Vitra have gone one step further, and have purchased Artek. Following completion of his architecture studies in 1921 Alvar Aalto
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On Saturday September 7th the winners of the International Marianne Brandt Contest 2013 were unveiled at an awards ceremony in the Industry Museum Chemnitz. We'll have more on the winners, the 2013 contest and of course the accompanying exhibition real soon, but for now the winners. Congratulations to all! Product Design Award Product & Special Award Alessi: Susanne Schwarz, "Papier tragen" Appreciation Product, Special Award (smow) & Public Award: Anna Albertine Baronius, "2tables"
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"Do the books that writers don't write matter?", asks Julian Barnes in his 1984 novel Flaubert's Parrot. In a similar vein, do the posts that bloggers don't write matter? Among Julian Barnes' arguments for not disregarding the unwritten novel is that, "Besides, an idea isn't always abandoned because it fails some quality control test. The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes
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We know what you're thinking, lost furniture designs from Eero Saarinen and Charles Eames. ??? Yup. Two of the most important, influential and best known protagonists of mid-century modern design have a product series that has vanished without trace. And in our opinion it vanished exactly because Saarinen and Eames are two of the best known protagonists of mid-century modern design. But let's start at the beginning.... In 1940 the Museum of Modern Art New York staged their "Organic Design
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Much as we bemoan our annual trip to Milan, we do generally return enriched in some form or another. And, secretly, glad that we went. 2011's epiphany came when we were introduced to the Milanese producer Azucena. The introduction coming via Konstantin Grcic and his Entre-Deux "screen/divider/barricade", an object that was/is the start of a longer term cooperation between Grcic and Azucena. A continuation of which we are patiently awaiting. Until then we are whetting our Azucena appetite
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In our post "Wilhelm Wagenfeld Reviews Design for Use, USA" we quoted Wagenfeld's assertion that "In the current age machines and handicraft are intimately interwoven with one another." The Bauhaus Archiv Berlin is currently presenting an exhibition which ably demonstrates that some 80 years later such harmonious constellations cannot only still be found, but are still producing results every bit as refined and timeless as those realised by Wilhelm Wagenfeld. Poesie & Industrie - Poetry and
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On September 3rd the Ungers Archiv für Architekturwissenschaft Cologne present the latest edition of their Ex Libris series. This time Ex Loco. In Bremen. As we noted in a previous Ex Libris post, "... much as the Internet is full of spam until you start looking for something, so to is a library just a lot of old paper until you read the books". And in this sense the Ungers Archiv für Architekturwissenschaft Cologne regularly invite architecture luminaries to select a work from the archive's
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Having already been to Chemnitz once this year we really are loathed to go a second time. It somehow feels unfair. Unjust. Twice. In one year. Why us! However on Saturday September 7th the winners of the International Marianne Brandt Contest 2013 contest will be announced and the awards exhibition formally opened. In the Industriemuseum Chemnitz. And we will be there. In the middle of June the nomination shortlist was unveiled, and even though it contains just the names of the nominated
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In our interview with the Stuttgart based designers Markus Jehs and Jürgen Laub one of the more interesting quotes is the pair's assertion that "...in Stuttgart people don’t talk so much about their success: an awful lot of creativity originates in Stuttgart but you don’t necessarily know that because no one talks about it." A quote which to be honest hasn't left us in peace since.... One organisation who do talk about creativity in Stuttgart, 20 times a year to be precise, is the Verein zur
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As any fool know contemporary product design arose from traditional crafts. The birth however wasn’t the smoothest, and the conflict between the form loving traditionalists who believed in a future of craft based industrial production and the machine fixated modernists with their focus on functionality dominated the inter-war years. Post World War II the modernists had largely succeeded in establishing their position and in his review of the 1951 exhibition “Design for Use USA” Wilhelm
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Although we rarely have reason to blow our own trumpets, we do regularly have cause to sound our colleagues veritable flourish of bugles, clarions, cornets, horns. And trumpets. Such is an occasion. With immediate effect many products in the (smow) online shop can be perused, compared and enjoyed as 360 degree photos. And they are photos. And not computer generated renderings. From established design classics including the Vitra Panton Chair or the Eames DSR over modern classics such as the
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Until September 29th the Vitra Design Museum, Weil am Rhein is presenting the exhibition Learning from Vernacular. Curated by Prof. Dr. Pierre Frey from the School of Architecture, Civil and Environmental Engineering at the École Polytechnique Fédérale de Lausanne (EPFL), Learning from Vernacular presents forty architectural models in 1:20 scale: forty architectural models which either present examples of local, traditional construction materials and principles or, and this is for us the most
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With our trademark "almost too late, but just sneaking in on time" we bring you Prima by Zaha Hadid. Conceived and realised in cooperation with the Austrian crystal concern Swarowski, Prima is a five piece installation based on Zaha Hadid's sketches for her 1993 Vitra Fire Station project. At the moment Prima is a very expensive, and very, very heavy installation on show in front of said Fire Station; however, if we know Vitra we can well imagine what the next step is... We have no formal, or
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Until August 16th the architecture gallery Wechselraum in Stuttgart is presenting the exhibition "Aus allen Richtungen. Positionen junger Architekten im BDA" Organised by the Working Group for Young Architects within the German Architects Association "Aus allen Richtungen" presents not only the views of 30 young German architects on the role of architecture in contemporary society but also reflections on their own experiences. For the exhibition each architect was given a circa A3 sized box
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As many of you will be more than aware, it is very rare that a genuine expert reviews an exhibition for these pages; however, in the case of the 1951 exhibition "Design for Use, USA" we have one. The German silversmith, product designer and Bauhaus alumni Wilhelm Wagenfeld. At least indirectly. On January 5th 1951 "Twenty-five thousand pounds of American home furnishings exhibition material"1 departed the Museum of Modern Art in New York to begin a two year tour of Europe. Curated by Edgar
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The most ingenious aspect of the Hochschule für Gestaltung Karlsruhe is probably its location - sandwiched as it is between the Karlsruhe Centre for Art and Media with its research institutes, museums, galleries et al and Karlsruhe Job Centre..... Could there be a better metaphor for the precarious position of today's professional designer? Probably. But we're sticking to ours. Opened in 1992 the HfG Karlsruhe was established with the aim of creating an arts and design school for the modern
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One of the oldest and most rigorously applied global corporate identities is without question the use of the colour orange by the Dutch. The "Orange" in "The House of Orange" may have arrived by accident of marriage, but the Dutch instantly recognised its value and since the 16th century have ensured that everything, but everything, with even the vaguest relation to Nation and/or royal family is identified by a uniform colour. Even going so far as renaming the towns where they built their
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As any fool know, we traditionally begin our round-up of the summer semester student shows at the Bauhaus University Weimar. This year however Thüringen is having to yield to Stuttgart, and specifically the Akademie der Bildenden Künste Stuttgart. In relation to institutions such as the Bauhaus Uni Weimar or Burg Giebichenstein Halle, the Industrial Design department at the Akademie der Bildenden Künste Stuttgart is relatively small, but no less interesting. For the 2013 Rundgang there were
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Having recently publicly announced that the International Marianne Brandt Contest is "....without question one of our favourite international design competitions...." we're not really sure how to start a Post about the Designpreis Halle. At least not without sounding like complete tarts. Initiated in 2007 the Designpreis Halle is, much like the Marianne Brandt Contest, a tri-annual design competition. Or at least was. The third edition really should have taken place in 2013, didn't or at
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Anyone familiar with the roads in Leipzig's Lower East Plagwitz Village District will be aware that to call them roads is to do a great disservice to the memory of John McAdam and Edgar Purnell Hooley. In a biblical sense a road is composed of tarmac. In a Plagwitz sense a road is composed of potholes, loosely linked by random slithers of tarmac. Over the years we've given up getting annoyed about the state of the roads and... no, we've not. That's a lie. We get cross about it every single
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Normally we don't pay any heed to design contest exhibitions at design fairs. It just doesn't feel right, looking at them being in our jaundiced minds akin to reading those appalling advertorial "special supplements" that the print industry have fallen back on for survival. However at DMY Berlin 2013 something drew our attention to the exhibition for the adream 2012 competition. A pink brick to be precise. And we're mighty glad it did. Although "adream 2012" sounds like some truly horrendous
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Established in 2010 by the architects Pascale Wakim and Nicolas Bellavance-Lecompte, Beirut based Carwan Gallery is and was the first contemporary design galley in the Middle East. After neigh-on three years as a Pop-Up Gallery, at the end of June Pascale and Nicolas will formally open their first permanent space in Beirut. Which sounds like confirmation that all is going well. We first came across Carwan Gallery in Milan at MiArt 2013, and were greatly taken with not only the objects
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As we noted in an earlier post, the team behind Depot Basel were recently awarded a highly coveted Swiss Design Award in the category Design Mediation. A very well deserved and very welcome recognition for all the work invested. And parallel to Design Miami Basel 2013 Depot Basel opened their latest exhibition, Craft & Drawing. We're a bit late with this post, Craft & Drawing only runs until June 29th 2013; however, as the largest part of our readership are and were unlikely to be in Basel
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