Over the weekend June 6th - 9th the Stedelijk Museum Amsterdam is hosting the exhibition "Supermodels - 100 Years of Dutch Design and Iconic Architecture" Conceived by Amsterdam based design agency Concern as a response to the question how best to present the variety of Dutch design and architecture in a representative yet compact touring exhibition format, Supermodels presents scale models of important and/or iconic examples of Dutch architecture and design. Premièred at Milan 2014
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At the risk of being accused of wilful and negligent generalisation, contemporary industrial design arose from traditional crafts, driven by a desire to make the products of the artisan available to a wider public and at a more affordable price. Yet despite this desire to separate itself from crafts, design keeps looking to craft for inspiration. Almost as if it doesn't fully trust itself to break free. Scared of its independence. Or as we noted in context of the exhibition Le Feu Sacré at
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As the new exhibition Die Form ist nur Teil des Ganzen at the Wilhelm Wagenfeld Haus Bremen makes very clear, Wilhelm Wagenfeld was firmly of the opinion that those objects with which we surround ourselves should be created so as to make them not only functional but to make their use a relevant, natural and self-evident part of our daily routine. Form not so much following function as use. While remaining an attractive, aesthetically agreeable, indispensable part of every object. Wagenfeld was
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SOX is, in all probability, Berlin's smallest gallery. SOX is a circa 2m by 3m window. An oversized display cabinet in the heart of Berlin Kreuzberg. During Berlin Design Week 2014 SOX is hosting 4+1, the latest project from Berlin designer Mark Braun. A shelving/storage element constructed from pear, oak, ash and walnut the individual 4+1 units are accessible from both front and back and can be stacked on top of/next to one another to create the desired landscape. Each unit houses an
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If we’re honest we’re not entirely sure where or when we first saw the work of Gosia & Tomek Rygalik a.k.a Studio Rygalik, but it was certainly before their near legendary Baguette Table project at Vienna Design Week 2011 – yes, tables made from bread – and long before they shot their delightful short film celebrating 20 years of the Vitra Design Museum miniatures collection. What we are sure about is that the logical, uncomplicated nature of the products they create, the pairs commitment to
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"The purpose of an object is of secondary importance" claimed the German designer and artist Wilhelm Wagenfeld, "the use however is more relevant, explains the multi-faceted relationship of individuals to those objects which surround them. With use develops culture, the overcoming of a perceived raison d'etre"1 To celebrate their 20th anniversary the Bremen based Wilhelm Wagenfeld Foundation are currently hosting "Die Form ist nur Teil des Ganzen" - "The Form is Only a Part of the Composition"
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"The design is not the result of any especially deep consideration, but much more of random form finding through sketching."1 So remembers German architect and designer Sergius Ruegenberg the creation of the so-called Barcelona Chair; a chair that made its formal début with the opening of the Barcelona International Exposition on May 19th 1929. Barcelona Chair? Sergius Ruegenberg? Yes. Barcelona Chair. Sergius Ruegenberg. Born in St. Petersburg in 1903 Sergius Ruegenberg trained as a
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Until August 24th the Swiss Architecture Museum, SAM, in Basel is staging "Fritz Haller. Architect and Researcher", an exhibition devoted to one of the most important architects and architectural theorists of the 20th century, albeit one who is all too often overlooked and misunderstood. Or simply known for his USM modular storage system. Born in Solothurn, Switzerland in 1924 Fritz Haller trained as an architectural draughtsman before undertaking a series of jobs in architecture firms
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When Gil Scott-Heron announced that "The revolution will not be televised" he was of the opinion that this was because the revolution would take place at the grass roots of contemporary society, far removed from the corporate glare of popular global culture. The fact that television may have become an obsolete remnant of times past never occurred to him. And quite frankly why, in 1969, should it have? But today we know, the revolution won't be televised. The revolution will be streamed. And
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When Erich Mendelsohn's new Schocken department store opened in Chemnitz in 1930 Wasmuths Monatshefte für Baukunst, one of the leading architecture periodicals of the age, were unsparing in their praise "With his new Schocken department store in Chemnitz Erich Mendelsohn has achieved a new peak in his creativity", they announced.1 With the conversion of Mendelsohn's construction to the new Staatlichen Museum für Archäologie Chemnitz - the State Archaeology Museum in Chemnitz - the responsible
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As previously noted the Werkbund Berlin Galerie is currently hosting an exhibition devoted to the ess.tee.tisch t-6500 from Swiss manufacturer Horgenglarus. Originally designed in 1951 by Jürg Bally the ess.tee.tisch is a height adjustable table operated by an ingeniously simple mechanism and a product that was awarded a Gute Form Award by the Swiss Werkbund in 1955 for its combination of practicality, functionality and aesthetic charm. The exhibition in Berlin presents an updated version of
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In our original post about the exhibition Niek van der Heijden – Assemblage at the DAD Galerie Berlin we noted that Niek was planning completing his "Living Forum" object during the recent Berlin Gallery Weekend. He nearly did. Very nearly. However, a healthy flow of interested and inquisitive visitors meant progress was slower than anticipated. A situation which means that in the DAD Galerie Berlin one can currently experience not only a partially completed Living Forum, but a partially
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For many, the darkest, furthest removed edge of the (smow) universe is (smow) Chemnitz. (smow) however reaches further. Much further. To Manly, New South Wales, to be precise and (smow) Australia. More of a cousin than a member of the immediate (smow) family, (smow) Australia offer products by leading European manufacturers including Nils Holger Moormann, Richard Lampert, LoCa, Jonas & Jonas and Kabré-Leipzig to the good people of Sydney and, through their online shop, beyond. And now have
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Who creates the city? Who shapes its future? asks the introduction to the exhibition "Weltstadt - Who creates the city?" currently showing at the Deutsches Architektur Zentrum, DAZ in Berlin. Hang on.....? Haven't we seen similar questions somewhere else recently.....? Of course...... at Konstantin Grcic - Panorama at the Vitra Design Museum, in the context of which we wrote "How each of us responds and reacts to such challenges will ultimately affect the nature of our cities, and so
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Under the title "Dicht Säen" - "Sow Densely" - the sixth Bavarian Architecture Week from May 16th until May 25th 2014 will explore concepts and ideas of "Density" in contemporary architecture and urban planning. Topics that although being discussed at a Bavarian level and in a Bavarian context naturally have a wider importance and relevance. As our cities evolve questions of land use invariably arise: How much space does one need? How much space should one accept? Where does private end and
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"When", we asked in context of the Grassi Leipzig exhibition Sitting – Lying – Swinging. Furniture from Thonet, "does an exhibition about Thonet chairs become a sales promotion for Thonet chairs?" In the case of the Grassi exhibition, we concluded, it doesn't. When however does a blog post about a Thonet exhibition becomes an advertisement for Thonet chairs. Round about now. For by way of celebrating the Sitting – Lying – Swinging, an exhibition on "home turf" as it were, (smow) have teamed
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"It helps you save a considerable amount space, then it is a dinning table and a tea table in one. With a single hand movement you can set its height as you choose; and that without needing to first clear the table" So introduced Swiss furniture manufacturer Horgenglarus the so called Bally-Verstelltisch, or S.T. Tisch, on its launch in 1954. Designed by the Swiss architect Jürg Bally the S.T. Tisch is one of those products that without question would have found its way into our Lost
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We round up our Milan 2014 coverage with a company we admire, but about whom we find it all but impossible to write. Because their products and their collection so rarely change. Ever since commencing with the commercial production of the modular USM Haller furniture system in 1969 USM have done little else. Save the introduction of the USM KITOS system in 1989. But that's it. That's all they do. Which is also one of the principle reasons we admire them. They do what they do, do it well
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Following on from former Nacho Carbonell intern Pascal Howe at the DMY Design Gallery Berlin, an exhibition by a designer whose work we first saw in a hall about 25 metres from Nacho Carbonell's atelier in Eindhoven's so-called Sectie C - one of several former industrial areas in the city that now serve as reservations of creatives and so help fuel Eindhoven's reputation as one of Europe's creative capitals. It was Dutch Design Week 2012 and our photos of Eindhoven Design Academy graduate Niek
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Introducing Tulga Beyerle as the new Director of the Kunstgewerbemuseum Dresden, Hartwig Fischer, General Director of the executive Dresden State Art Collections, confidently predicts that with Tulga Beyerle they have "...someone who can help bring the museum into the 21st century." We're not 100% certain if the good folk of Dresden are aware of the force with which they and their, until now, somewhat sleepy applied arts and crafts museum are about to be catapulted into the 21st century......
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By way of a 1st of May, International Workers' Day, special...... in Milan Ronan Bouroullec told us that the brother's new chair Uncino for Italian produce Mattiazzi was inspired by and loosely based on the very first wooden office chairs. An excellent example of what he meant can currently be enjoyed at the exhibition Sitting – Lying – Swinging. Furniture from Thonet at the Grassi Museum for Applied Arts, Leipzig. A comparison: Uncino by Ronan and Erwan Bouroullec for Mattiazzi vs. an 1875
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Mayday! Mayday! Don't panic. It's just a public holiday. You'll survive. Barbecue something...... And afterwards, when everyone else is back at work and things have calmed down a little, why not enjoy one or more of the following design and architecture exhibitions opening around Europe this coming May. "Fritz Haller. Architekt und Forscher" at the S AM Schweizerisches Architekturmuseum, Basel, Switzerland Everyone knows Fritz Haller. He designed one of the few truly iconic and genuinely
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The best form of recycling is not to produce things in the first place. However, until every one understands that, things will continue to be produced in senseless quantities, and senseless quantities of things will eventually reach the end of their useful life. And then? Largely, though not exclusively, based on projects submitted for the annual Recycling Designpreis, the exhibition "Transformations - Concepts of Re-using Things" currently showing at the Werkbundarchiv – Museum der Dinge in
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"What is the Paris Exposition?", asked Roger Gilman in the September 1925 edition of The Art Bulletin, "It is a new world of the applied arts. It is a new world of reality, reality in the square mass of concrete construction, reality in the smooth surfaces of machine products, reality in wonderful new materials offered by our mastery of science and transport, reality in the severe plainness of our practical age, reality in a marvellous effort to design everything and copy nothing. And it is a
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