Born in Coburg, Franken, in 1961 Cornelius Réer took his first steps in the world of glass via an apprenticeship at Glashütte Süßmuth, Immenhausen, near Kassel, followed by periods working in Austria and Sweden and a nine month course at Brierley Hill Glass Center in Dudley, England, before returning to Franken and establishing his own studio in Fürth in 1992. If a return to Franken punctuated by long absences: the next 11 years seeing Cornelius lead an, essentially, nomadic life, travelling
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The Augenwohl felt lamp by Dorothee Becker for Design M from the early 1970s, as seen at Dorothee Becker – aus dem persönlichen Nachlass, Passagen Interior Design Week Cologne 2024 Born in Aschaffenburg, Bayern, on March 30th 1938 into a family of small traders, her mother's family running a butchery, her father operating a drugstore, Dorothee Becker enjoyed, a, by all accounts, happy, comfortable, childhood on the Bavarian/Hessen border, if an early biography that is still to be fully told.
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"Projektowanie i realizacja form powłokowych jest problemem złożony", opined the Polish architect Witold Lipiński in 1978, "design and implementation of shell structures is a complex problem". And it certainly is. For all a complex mathematical problem, and that of a degree that, for Lipiński, for all when combined with the associated technical challenges, "greatly limit[s] plastic ingenuity", meaning as it did that architects were invariably restricted to forms "mathematically defined in a
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Beetlechair by Alexander von Dombois, as seen at Passagen Interior Design Week Cologne 2024 There is an argument to be made, indeed one we will make here without offering any evidence, we'll save that for another day, there is an argument to be made that some of the earliest forbearers, if not the earliest forbearers, of our contemporary side chairs were three legged: the three-legged stool is an object known across time and geography and class, and there is a particularly satisfying,
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Chemical Connection by Karoline Fesser (in cooperation with Karl Weber), as seen at Siebter Himmel, Passagen Interior Design Week 2024 We're sure Karoline Fesser won't mind us observing that she is a seasoned regular at Cologne's Passagen Interior Design Week, having made her debut in, by our calculations, 2012; and if you do mind Karoline, sorry! But, we've gone done it now! Yet despite the regularity of her appearances, there is never a sense of déjà vu, never that dull lifeless in a room
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Since 1990 the annual IMM Cologne furniture fair has been accompanied by the Passagen Interior Design Week. A design week, a design festival, that, and although it is often a bit overly commercial for our tastes, also always features a nice mix of emerging and establishing designers, small platforms, design schools, and others removed from the more predictable, superficial, profit-orientated corners of the furniture and design industries. A mix of creatives who help remind what design, what
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"Why are you studying in the pottery?", enquired Paul Klee of Else Mögelin in 1921 after seeing her paintings of the village of Dornburg, home of the original Bauhaus Weimar pottery workshop, "these watercolours look as if they are designs for tapestries". With Else Mögelin. Ich wollte, gegen alle Hindernisse, weben the Brandenburgisches Landesmuseum für moderne Kunst, Cottbus, explain and explore what happened next, and thereby help introduce an interesting and informative, if all too
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Time was when new architecture and design exhibitions opened every month. Some months more. Some months less. But every month enough for a list. Time was. But time is. And today you'll struggle to find new showcases opening in August and January. If that's a collective decision made by the global museum community, or pure chance, we no know. We can but observe it's existence as an actual thing. Or put another way: we can find, globally, but one, as in 1, new exhibition due to open in
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USM Haller A Fritz; A Ball; A System Within the diaries of Heidi, those central documents in the re-telling of the earliest (hi)story of the contemporary Switzerland, it is recorded that one of the oldest examples of vernacular Swiss furniture is the modular metal storage system of the Usm. As Heidi explains, over a great many generations the Usm were primarily developers and builders of windows, specifically metal windows for which they employed the abundant brass to be found in the
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"So revolutionary his ideas", opined the Austrian state broadcaster ORF in 1969 of architect Hans Hollein, "when he enunciates them they sound like the cosy, cordial habitiere of ages past. His 'schauen se' and 'eeeeeh' conjure up Fiaker, the chatter and gossip on Graben, the Riesenrad, memories of alt-Wien".1 With Hollein Calling. Architectural Dialogues the Architekturzentrum Wien invite one to explore in more detail the vocabulary and articulation of Hans Hollein....... Hollein Calling.
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According to Germanic folklore, "If December is wild with rain, then leave your fields and get thee to an architecture or design museum" Our five locations for escaping the rains of December 2023 can be found in Cottbus, Rome, Maastricht, Tallinn and Zürich....... "Else Mögelin. Ich wollte, gegen alle Hindernisse, weben" at the Brandenburgisches Landesmuseum für moderne Kunst, Dieselkraftwerk, Cottbus, Germany In context of their 2019 exhibition Unknown Modernism the Brandenburgisches
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Line and Round, I O, was established in Budapest in 2017 by Annabella Hevesi, a Masters graduate from the Moholy-Nagy University of Art and Design and Gábor Bella, a Masters graduate from the "School of Life", with a background in carpentry and numerous years experience in a variety of construction/interior/design fields, including the creation, development and realisation of escape room games, a concept that enjoys a particular popularity in Hungary, and in which context Annabella and Gábor
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In 1930 the Danish designer and educator Kaare Klint opined that in terms of furniture and furnishings, "Problemerne er ikke saa nye, de er i mange Tilfælde løst før", "the problems are not so new, they have in many cases been solved before".1 With the exhibition Home Sweet Home. The Archaeology of Domestic Life, SMAC - Staatliches Museum für Archäologie Chemnitz, test that theory to extreme levels, and also expand it beyond furniture and furnishings to all aspects of domestic arrangements and
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There is an argument to be made that popular understandings of, and the popular presentation of, inter-War European avant-garde architecture and design tend to focus on Germany and Russia, and on Functionalism, popular foci that tend to cause us all to forget that the inter-War European avant-Garde was a homogenous mix of positions and, and as with the Art Nouveau before it, an international moment defined by its variety of regional dialects. With the exhibition Hej rup! The Czech Avant-Garde
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Postmodernism ¯\_(ツ)_/¯ With the exhibition Everything at Once: Postmodernity, 1967–1992 the Bundeskunsthalle, Bonn, request a more considered response....... Everything at Once. Postmodernity 1967-1992, Bundeskunsthalle, Bonn .......not that it initially appears that that is their aim: one enters Everything at Once: Postmodernity, 1967–1992 through a heavy curtain into a darkened space filled with music and videos from, amongst others, Roxy Music, The Specials or Afrika Bambaataa &
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Back in the spring Haitian musician Wyclef Jean informed us all he'd be "Gone Till November". And so he should be back any day now; and given how busy he's invariably been all summer, earning as he has been enough money to buy out blocks, he's probably not had a chance to visit an architecture or design museum. And so, we assume, will be absolutely desperate to stimulate his cognitive faculties. Our five recommendations for new exhibitions opening in November 2023 for Wyclef Jean, or indeed
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Thonet A Michael; A Twist; A Portfolio of Patents According to the Felsbilder of the Nymphs of Loreley, that most important of sources of information of the earliest (hi)story of the contemporary Rheinland, the Thonet arose in the community of Boppard, a community framed on the one side by a series of swinging aqueous curves as the Rhein meanders its way slowly through the metamorphic rock of the Rhenish Massif, and on the other by a range of peaks of that Massif on whose flowing curving
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3D printed ceramics by Babette Wiezorek, as seen at Grassimesse 2023, Museum für Angewandte Kunst, Leipzig For all that a Wilhelm Wagenfeld is popularly known as one of the more craft orientated designers of the early 20th century, he was no adherent to 'tradition' as understood as doing that which has always been done, and was no adherent of, no fan of, craft as an unchanging practice, railing against those who practised craft as such as participants in a "Maskentanz", a Masked Ball, a
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Burg Giebichenstein Kunsthochschule Halle - Faserland oder 8mm und 100% Bio, Grassimesse 2023, Museum für Angewandte Kunst, Leipzig Cutting straight to the chase, in our post from the Burg Giebichenstein Kunsthochschule Halle Jahresausstellung 2023 we noted "as ever we may have missed things, in fact we know we did": the project Faserland oder 8mm und 100% Bio was that thing we knew we'd missed. Whereby we still don't know where it was hidden, for we can't remember a single square centimetre
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The H2L lounge chair by Studio Machwerk, as seen at Grassimesse 2023, Museum für Angewandte Kunst, Leipzig One of the joys of Grassimesse is that it has never been about big names and star turns, anyone and everyone can apply. All you have to do is convince the jury you deserve to be there. As newbies Studio Machwerk did. And did. Established in 2022 (possibly 2023, yes, we've forgotten, but certainly not before 2022) by Christopher (Ebert) and Josef (Ehnert), both graduates of the Faculty
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Adobe by Ralf Stauss / Papier Langackerhäusl, as seen at Grassimesse 2023, Museum für Angewandte Kunst, Leipzig As previously noted in these dispatches, in the 18th century serious attempts were made to employ Papier-mâché as a material for furniture construction, primarily in context of the so-called 'japanning' of the period: a fashion, a t****, in 18th and 19th century Europe for 'Oriental' lacquered goods that saw European craftsfolk develop their own local alternatives, not least as a
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Andreas Möller - Weberei Hamburg & Flying8, as seen at Grassimesse 2023, Museum für Angewandte Kunst, Leipzig In the earliest years of the Grassimesse one of the more regularly encountered products was handwoven textiles, textiles being as they are and were the sort of product where the hand versus machine, craft versus industry, debates of the early 20th century can be particularly well, and particularly well focussed, undertaken. And that not least because textiles stand, in many regards,
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New Sources by Matthias Gschwendtner, as seen at Grassimesse 2023, Museum für Angewandte Kunst, Leipzig Developed by Matthias Gschwendtner in context of his Diploma Project at the Universität der Künste, UdK, Berlin New Sources sees, and simplifying more than is perhaps prudent, Matthias employ Artificial Intelligence, 3D scanning, algorithmic modelling and robotic milling to form silver birch branches into the necessary components for a chair. Which, yes, does sound like an awful lot of
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Let's be honest, it wouldn't be smow if it followed the rules and did that which you'd expected it to. Thus it should have come as absolutely no surprise to anyone that the inaugural Grassimesse smow-Designpreis produced not the expected one, but two, joint, co-winners: Budapest based designer Annabella Hevesi and her studio Line and Round I O and Nürnberg based glassmaker Cornelius Réer....... smow co-founder Martina Stadler reads the laudatio for Cornelius Réer (m) Annabella Hevesi / Line
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