As we noted in our 5 New Design Exhibitions for July 2014 post, July and August tend to be quiet months in the world of architecture and design exhibitions. If evidence to back up our claim were needed, our 5 New Design Exhibitions for August 2014 recommendations features architectural photography in Cologne, Portuguese interior design in Lisbon, interface design in Sydney....... And that's it. That's all that is opening this August. And one of them opened in late July. But less is famously
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One of the most mundane, yet important, aspects of any designer or architect's training is sketching existing buildings and products. Observing. Studying. Forming. Learning. Developing. Hans J Wegner, for example, drew, drew and redrew the furniture in the Danish Design Museum Copenhagen, Louis I. Kahn spent his formative years sketching the ruins of European churches and cathedrals, while a young Le Corbusier regularly crossed the Swiss-Italian Border to undertake study tours of locations
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As we noted in our post from the recent Burg Giebichenstein Halle summer exhibition, the institution is currently one of the more interesting design schools in Germany. That it is is largely on account of the conscientious work done and reputation established during the days of divided Germany, and the way that work has subsequently been carried on through into the unified days. One of the most interesting, if not influential, members of the Burg Giebichenstein staff during the DDR days was
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In 2011 a group of Dutch artists and designers established the Orangemann Trust and set about converting an old, abandoned house in the centre of Oranienbaum into a gallery for contemporary art and design. That Oranienbaum is a village of some 3000 inhabitants situated 150 kilometres south of Berlin, 80 kilometres north of Leipzig and 4 light years from the next railway station, the location could appear somewhat questionable. Could. Were it not for the fact that modern Oranienbaum was
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24 hours after Hella Jongerius crossed our paths at the Weißensee Kunsthochschule Berlin Rundgang 2014, and 48 hours after finding ourselves in the same corridor as Axel Kufus at the Universität der Künste Berlin Rundgang 2014, Stephan Schulz cycled past us as we walked to the 2014 summer exhibition at Burg Giebichenstein Halle. Its just the way we rock. Sorry....... As we've noted before Halle should be Vienna. It's certainly a much more attractive, imposing and interesting city than its
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Some 24 hours after finding ourselves in the same corridor as Axel Kufus at the Universität der Künste 2014 Rundgang our paths crossed that of Hella Jongerius at the Weißensee Kunsthochschule Berlin Rundgang. It’s just how it is in Berlin…… And as with the UdK Rundgang, in terms of product/industrial the 2014 show at Weißensee was/is, in our opinion, somewhat smaller than in previous editions, did/does however present a highly entertaining review of the past years work and so neatly explains
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"Herr Mies van der Rohe proposed to close Bauhaus. The proposition was unanimously approved".1 With this sober protocol dated July 20th 1933, but referring to a meeting held on July 19th 1933, the closing of Bauhaus Berlin, and so the end of the Bauhaus story, is formally confirmed. Present at the meeting on July 19th, and so unified in their responsibility for the decision were, in addition to Mies van der Rohe, Josef Albers, Ludwig Hilberseimer, Wassily Kandinsky, Walter Peterhans, Lilly
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One of the highlights for us of the student summer semester showcase season is always the annual Rundgang at the Universität der Künste, UdK, Berlin. And while the Product/Industrial Design presentation at the 2014 Rundgang is/was somewhat smaller than usual, it was/is still the expected, and entertaining, mix of the theoretical, the conceptual and the practical. In addition to the chance to once again experience projects such as Clair Obscur, a project which can of course also be viewed as
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Since the beginning of July the Weissenhofsiedlung in Stuttgart has been one building richer with the official unveiling of the so-called B10 Active House by Stuttgart based architect Werner Sobek. Realised in collaboration with the Stuttgart Institute of Sustainability in context of the Schaufenster Elektromobilität - Electric Mobility Showcase - research project, the B10 Active House goes beyond normal passive house standards and has been designed to enable it to utilise renewable energy
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As is becoming customary Design Miami Basel 2014 provided the backdrop for the presentation of the Swiss Design Award. And an exhibition of all nominated projects. Inaugurated in 1918 the Swiss Design Award is organised by the Swiss Federal Culture Agency - the Bundesamt für Kultur - and seeks to reward and recognise particularly outstanding contemporary design by both Swiss designers and Swiss based international designers. The 2014 edition attracted 252 entries for the four competition
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On the evening of Thursday July 10th the annual Bauhaus University Weimar "Summaery" student showcase exhibition opened for its 2014 edition. In terms of product design, and without meaning to be disingenuous, it wasn't the strongest Summaery we've ever been to. There were however a few projects that allowed us to leave without the feeling of having completely wasted our train fares. And so, and in no particular order..... WOob by Lisa Kästner (Realised in context of the class: MACHEN? -
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Back in November the winners of the 2013 German Federal Ecodesign Award - the Bundespreis Ecodesign - were announced at a slightly less than glittering ceremony in Berlin. In February 2014 an exhibition featuring the 12 winners and further 19 nominated projects opened in Ludwigsburg. Following a brief stop at the designforum in Vienna the Bundespreis Ecodesign 2013 exhibition is currently being presented at the headquarters of the Umweltbundesamt - the German Federal Environment Agency - in
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By way of a final addendum to our "5 New Design Exhibitions for July 2014" post, the Design museum Gent are currently hosting an exhibition devoted to one of the true masters of 20th century design, Finn Juhl. A designer who, as regular readers will be aware, we yield ground to no man to in our admiration for. Born in Frederiksberg, Denmark in 1912 Finn Juhl studied architecture at The Royal Danish Academy of Fine Arts in Copenhagen. Following his graduation in 1934 Finn Juhl took up a
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As if to help underscore the assertion in our "5 New Design Exhibitions for July 2014" Post that July and August tend to be quiet months in terms of design and architecture exhibitions because near everyone is on holiday, Berlin's Direktorenhaus Gallery have titled their 2014 summer exhibition "Summer Break VA". The VA being shorthand for "various artists". "We're not here" they seem to be saying, "but if we were here, these are the sort of delights you could enjoy" Established in 2010
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When we met up with Katharina Mischer and Thomas Traxler aka mischer’traxler ahead of the exhibition Castling. Designers meet the collection at the Kunstgewerbemuseum Dresden, we also briefly discussed their "It takes more than one" project which was presented at Design Miami Basel 2014 by Victor Hunt Designart Dealer. Created in context of the studio's tenure as the 2011 "W-Hotels Designer of the future", It takes more than one is a mirror that requires two people for it to function. And as
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"Weltstadt – Who creates the city?", we wrote in our review of the eponymous exhibition at the Deutsches Architektur Zentrum, DAZ Berlin, "is about promoting a dialogue, of encouraging discussion and for all about motivating each and every one of us to think about our own communities and our own cities and to consider what could be improved. And for all how." Practical examples of just how projects to achieve such could be organised and what they could, potentially, achieve can currently be
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Popular opinion is that old buildings deserve be preserved, restored, used and loved. Popular opinion however has a very singular and narrow definition of "old." A definition normally based on a simplified, generic, understanding of visual beauty rather than age or historical relevance. Something that means a lot of 1950s buildings are all too often classed as meaningless post-war quick-fixes. And so ignored. Allowed to fall in disrepair. Demolished. Munich based photographer Hans Engels
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Tradition being the predictable beast that it is, July and August tend to be quiet months in the design universe – most everyone taking themselves off to their Gîtes, Dachas, Ferienwohnungen, Vakantiehuis and lakeside bungalows for a few weeks of quiet reflection ahead of the autumn trade fair and design week season. Most. But not all. A few hardy souls remain, stocking the furnaces of creative culture with architecture and design based exhibitions intended to inspire, excite and entertain.
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As we noted in our original post on Niek Wagemans' nachBAR project for the Dutch Embassy in Berlin, we sadly had to depart Berlin before construction was finished. "What we’ve seen so far however impresses.", we noted, "And we can’t imagine our position will change dramatically." It hasn't. A delightfully compact, well proportioned and very welcoming object, nachBAR proudly presents it origins and with its sheet steel cladding and rounded edges radiates something of the aura, and arguably
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In our post on the Pulpo Galerie in Lörrach we noted that "you don’t get your products shown in the VitraHaus just because you happen to have the correct postcode……." Being local doesn't count. Isn't an advantage. Your work must be good. And as if to prove our point...... Jason Miller's postcode is New York 11232 and his Modo chandelier for Roll and Hill can be found in the VitraHaus. Lars Beller Fjetland's postcode is 5032 Bergen and his Re-Turned birds for Discipline can be found in the
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Back in the day all ten projects nominated for the DMY Award were presented in a post-festival exhibition in the Bauhaus Archiv Berlin. An exhibition that for us always made perfect sense, mixing as it did experimental, conceptual works by contemporary designers with the conceptual, experimental spirit of Bauhaus. That however was then. And the cooperation sadly ended a couple of years ago. If we're honest we find it a real shame that that is no longer the case, not least for the designers.
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Since June 14th 2014 the Basel metropolitan region has been one contemporary design institution richer: the Pulpo Galerie in Lörrach. Run by the contemporary lighting and accessory manufacturer Pulpo in the Pulpo HQ, the Pulpo Galerie is part Pulpo Galerie, part Pulpo showroom, part Pulpo office, part Pulpo newsagent, part informal Pulpo Café. But principally Pulpo Galerie. The inaugural exhibition, Space, presents recent works by painter Daniel Richter, sculptor Tobias Rehberger and the
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Amid all the hype surrounding "Bauhaus Style", "Bauhaus Classic" and "Bauhaus Design" it is often forgotten that Bauhaus was a college. And whereas many, if not most, people can name half-a-dozen or so Bauhaus graduates; hundreads of students passed through Bauhaus. And it wasn't all just partying and theatre. They did also learn. But what did they learn? How did they learn? And what can we learn from how and what they learnt? In an attempt to answers such questions the Bauhaus Archiv
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While the art world is awash with anecdotes of cleaners disposing of installations having confused them for rubbish, we're not aware of any works of designer furniture having suffered a similar fate. At Design Miami Basel 2014 however Milan based Erastudio Apartment-Gallery made a very good effort to initiate just such a première with their presentation of a 1950s bedroom ensemble by Ettore Sottsass: piled ungraciously, almost out of hand, in the corner of their stand the bed, chest of
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