"Father of Eero....." So or similar is in many circles the accepted form for referring to the Finnish architect and urban planner Eliel Saarinen. A highly unsatisfactory term of reference and one which in many respects denies and defames how much more there is and was to the man and his talents. Eliel Saarinen (1873-1950) Gottlieb Eliel Saarinen was born on August 20th 1873 in the remote eastern Finnish town of Rantasalmi where his father served as a Lutheran pastor. In 1875 Eliel's father
read more
As Noël Coward famously observed, only mad dogs and Englishmen go out in the midday sun, and it takes a similarly laissez-faire approach to life to open an exhibition in August. Everyone, but everyone, it would appear is on holiday. Or has at least like Coward's caribous, lain down for a snooze. Which is probably why the majority of the following five exhibitions open in late August, so after the sun has ceased to be much too sultry such that one must avoid its ultry-violet ray. "Shelter:
read more
"The challenges of contemporary housing are rooted in the changing materials, social and intellectual structures of our time; and can only be understood in such terms. The degree of structural change determines the nature and extent of the problems. They are deprived of any arbitrariness. They cannot be solved with slogans, nor hidden and ignored behind words of good intention. The problem of rationalisation and standardisation is only one part of the problem. Rationalisation and
read more
The so-called "Teepott" on the promenade at Warnemünde on Germany's Baltic See coast is a rare and precious construction. Not only because of the way it starkly contrasts with the 19th century lighthouse next to it, nor on account of the delightful way it sweeps and flows in harmony with the dunes and water behind it, nor because it reminds of work by Eero Saarinen, Pier Luigi Nervi or Félix Candela, yet is geographically far removed from such. But much more because it is a work by the German
read more
Taking a few minutes break from the 2015 Burg Giebichenstein Halle Summer Exhibition we sat ourselves on a low wall to enjoy a well earned coffee and to digest and reflect on what we had seen, when we slowly became aware of the unmistakable tones of Morrissey's "Everyday is like Sunday" drifting across the college's Neuwerk campus. "Armageddon, come Armageddon! Come, Armageddon! Come!" Give that in the course of its 100 year history nuclear obliteration is just about the only twist of fate
read more
It is probably fair to say that over the years and decades the Universität der Künste Berlin, UdK Berlin, has produced the majority of the more interesting and important Berlin designers. Whereas historically that was largely on account of the lack of alternatives; today the school has responded to the increasing competition by employing good sensible teaching staff who set the students good sensible semester projects and also give them the freedom to develop their own individual projects as
read more
On the evening of Thursday June 9th Bauhaus University Weimar formally opened the 2015 edition of their annual Summaery end of year exhibition; thus, and equally formally, launching our 2015 summer tour of student showcases. For all in or near Weimar this weekend, Summaery 2015 runs at the Bauhaus University Weimar, and at locations throughout the town, until 6pm on Sunday July 12th, full details can be found at www.uni-weimar.de/summaery, and here three design projects which particularly
read more
"The essence of the Thonetschen invention is that when bending a steamed piece of wood the neutral layer is relocated to the upper, convex, surface of the curved wood. If any cylindrical or prismatic body is bent, the upper layers are extended, the lower, concave, layer compressed, so shortened, and only one layer, namely that which passes through the centre of mass of the cross section, remains in the original length. Thus in this type of ordinary wood bending the upper, convex, lying part is
read more
On days when his sketches didn't meet with his own, self-critical, approval, the Swiss architect and urban planner Le Corbusier is reported to have laid down his pencil and quietly reflected, "c'est difficile, l'architecture" 1 Equally difficile is describing and explaining the multifarious talents and passions of Le Corbusier. One option, arguably the best option, is to focus on just one aspect of Le Corbusier's oeuvre and to use this concentrated analysis as a conduit through which to
read more
On the evening of Wednesday June 24th the winners of the 2015 aed neuland young designer competition were announced in a ceremony in Stuttgart. Organised by the design/architecture/engineering association aed Stuttgart, neuland is a biennial international competition open to students or recent graduates under the age of 28 and according to the organisers the 2015 competition attracted some 330 entries across the five categories. An exhibition featuring all 23 nominated and prize winning
read more
"I intend to run the institution such that in terms of craftsmanship the best possible is achieved, and to foster it so that from an artistic perspective it meets all the requirements of modern conceptions of art"1, so wrote the architect Paul Thiersch in his 1914 application for the vacant post of Director of the Handwerkerschule in Halle, Germany. An argument which clearly found favour with the Hallesche selection panel, for on July 1st 1915 Paul Thiersch was selected ahead of the 74 other
read more
It being July, there is an obvious temptation to search for new design and architecture exhibitions opening near the coast, maybe in interesting seaside holiday locations. That four of our five tips for July 2015 are indeed being staged a flip-flops throw from the beach is genuinely more by chance than design. Is however very, very welcome. "Rygalik: The Heart of Things" at Gdynia City Museum, Gdynia, Poland The first time we met Tomek and Gosia Rygalik they were making tables out of old
read more
Space is, as any Trekkie will tell you, the final frontier. For designers and architects it is certainly a very challenging frontier. Not only do the normal physical laws not apply thus requiring new considerations in terms of materials or construction, but functionality takes on whole new meanings: “comfort” being replaced by “need to survive”, “ergonomics” being replaced by “need to survive”, “adaptability” being replaced by “need to survive” And does the interior of a spaceship need to be
read more
In his review of Chris Taylor's book "How Star Wars Conquered the Universe" the American film critic Tom Shone makes a point so obvious you wonder how it has escaped you these past 38 years: Junk is everything in Star Wars. The Jawas deal in junk. The droids are sold as junk. Our heroes are delivered as junk into the Death Stars trash compactor. That the Death Star is the only new piece of technology on display is sign enough of its nefariousness: those serving the Empire are the only people
read more
"Fancy a cup of tea?" "Oh, yes please! Thank you!" "OK, I'll put the kettle on" "Troglodyte" Boiling water for tea is a process as old as, well...... the drinking of hot tea. And a process that has remained largely unchanged since. When change has come it has invariably been influenced by technology: kettles over open fires, kettles on stoves, electric kettles. But always involving a kettle. (Accepting that is that the samovar is a "kettle".......and even if you don't, the samovar has
read more
As previously reported, Bauhaus Dessau are currently presenting “The coop principle – Hannes Meyer and the Concept of Collective Design”, an exhibition devoted to the second Bauhaus Director and for all his belief in the strength of the collective in almost all aspects of life, but especially in design. Hannes Meyer himself never completed projects alone, but always as part of a collective, the Dessau exhibition celebrates that fact and Meyer's unshakeable belief in the power of the
read more
Charles Eames is arguably the best known representative of post-war American design. His works are certainly the most commonly recognized and endearing examples of post-war American design. Yet exactly because of the success of his post-war work it is often forgotten that Charles Eames has a pre-war biography, a biography that is pre-Ray Kaiser, pre-George Nelson, pre-Hermann Miller, pre-Vitra, pre-plywood, plastic and aluminium, pre-IBM, Moscow, India, Mathematica, Franklin & Jefferson.... and
read more
There is little in this world that brings us more pleasure than a good modular shelving system. We know that sentence speaks volumes about the state of our alleged "lives", but we're not embarrassed to admit it. We like shelves. Consequently, given that it appears that everybody but everybody is developing a modular shelving system and that as a result you currently can't visit a furniture fair or design event without stumbling every few metres across another new system, these would appear
read more
In our recent post "Blurred Lines or What if Pharrell Williams and Robin Thicke designed furniture?" we took a stroll along the very fine border between being inspired by a piece of furniture design and plagiarising a piece of furniture design. One of the most popular sources for both inspiration and plagiarism is Charles and Ray Eames: for inspiration because of the many ground breaking designs, processes and theories the pair developed over the decades, for plagiarism because of the
read more
Customs are a form of social regulation. Love them or loath them customs allow us to form connections, to find a sense of stability and order, to differentiate ourselves from others, align ourselves with others, and not least enjoy regular festivities and parties as customs are celebrated and/or enacted. Customs are therefore inherently good. Unless it is the sort of Customs which sit at the border between two counties and stop a young Swiss ceramicist displaying their work at an
read more
The first thing any carpentry apprentice does is build their own wooden toolbox. It makes sense. You're learning to work with wood, you will need somewhere to keep all your chisels and saws. So you build a toolbox. The first thing anyone wanting to chop logs does is make their own wooden axe head ? Or perhaps better put ?????????????????? But why couldn't it be the case, for as HFBK Hamburg student Bastian Austermann demonstrates with his Splitting Wood project, such is eminently
read more
Much as we adore our pets they can be troublesome. Be it the cat the refuses to move from your bed, the dog that chews your shoes, pillows, newspapers et al, or the sweary parrot embarrassing us at every (inopportune) moment. If only we could distract them. Maybe we should treat them better? Or at least treat them to better possessions, to objects that meet a standard of functionality and design quality that we demand from our objects. We’re not averse to claiming our pets are family members,
read more
As we have often noted in these pages, a combination of increasing automation, advancing technology, the changing nature of industry and commerce and the associated evolution of the term "office work" will increasingly enforce changes in office furniture design. And we're not being particularly clever or perceptive when we say such, its simply how the process works, how office furniture design has always progressed: be it the evolution of the office chair in the 19th century as ever more
read more
When making biscuits, after having cut out the required shapes you invariably have a lot of dough left over, dough you clump together, roll out again and use to make more biscuits. A process which can be repeated ad nauseam until all your dough is used. With leather you can't. Having cut the required shapes from your chosen piece of leather you are left with a lot of holes surrounded by a lot of waste leather. It is therefore little surprise that the furniture, fashion, automotive, luxury
read more
