In our design calender post on the inaugural Memphis Exhibition in Milan we noted that although important for the development of design and architecture, the Memphis group was never that successful commercially. Which is not to say that Memphis furniture wasn't bought and used to furnish homes. According to Artemide co-founder Ernesto Gismondi, who also served as Managing Director of the Memphis trading company, there are, or at least were, two homes furnished exclusively with Memphis. And
read more
No one likes a hippy. Which might explain the ambivalence many have towards Art Nouveau. For with its floral motifs, visual dreamscapes, hopeless utopianism and all-pervading fascination with nudity, Art Nouveau is in many ways the original hippy movement. And this association may also be what bestows the preeminent international arts and architecture movement of the late 19th and early 20th century its unmistakable smack of kitsch, its perceived lack of contemporary cultural relevance.
read more
The WA 24 table lamp by Wilhelm Wagenfeld is without question one of the most instantly recognisable pieces of Bauhaus design, so much so that it is often referred to as simply "the Bauhaus Lamp". Designed by Wilhelm Wagenfeld in 1923 the WA 24 was quickly followed by a series of variations on the theme, yet all maintaining the same pared-down grace and uncomplicated functional elegance of the original. Characteristics which can just as easily be applied to Bauhaus itself as to Wagenfeld's
read more
Among the more interesting and entertaining texts we didn't publish from IMM Cologne 2015 was our post on the showcase "The Journey of Things" featuring works by 6 Berlin and 2 London based designers. It would have been a great text. Had it been published. That it wasn't is one of those mysteries which only those with an intimate knowledge of the inner workings of the smow blog can understand. Fortunately for us, and indeed all in or near Berlin in the coming weeks, until October 31st works
read more
Established in Brussels in 2011 by the French born, Belgian based craftsmen Jean Angelats and Jonathan Renou, Ateliers J&J released their inaugural collection in 2013. Presenting a range of domestic furnishing items crafted from bent tubular steel and solid wood Ateliers J&J's Collection 01 did nothing particularly innovative - and did it with a self-assured grace and composure that raised it far above the average and reminded us all just how enriching honestly conceived, well-proportioned,
read more
As we've often opined in these pages, design is a way of thinking, not a profession. An opinion we inevitably illustrate with a picture of a chair being used to hold a door open at Burg Giebichenstein Kunsthochschule Halle. But in what do designers actually believe? What are their motivations? Their goals? From where does their understanding of design originate? Why design? Such and similar questions form the core of the Depot Basel exhibition "Forum for an Attitude" which begins in Weil am
read more
We're fairly certain most museum curators aren't inherently nocturnal, it is however noticeable that the longer the nights become, the more activity one registers in museums globally. And so with autumn slowly giving way to winter it should perhaps come as little surprise that October 2015 offers such a richness of new design and architecture exhibitions...... Art Nouveau. The Great Utopia at the Museum für Kunst und Gewerbe Hamburg, Germany An important role in the (hi)story of contemporary
read more
As many of our regular readers will be aware, we don't like food design. We would say "we can't stomach it", however, that would draw more attention to the subject than it could ever deserve. We're particularly wary of Spanish food design, and the connections that invariably raises to some of the most senseless, egoistic and narcissistic episodes in the recent history of cuisine. Even writing that sentence brings us out in a rage. That said, we've long sought a chance to view the exhibition
read more
One of the biggest problems with Modernism is the name. It was unquestionably modern. Which is why it became known as "Modernism". However, having become Modernism, it remained Modernism, and consequently "Modernism" came to imply something static. Rather than something, well, modern. Nowhere is this problem more visible than in discussions around Bauhaus. Established in Weimar in 1919 Bauhaus would go on to play a central role in shaping those new ideas about art, architecture and design
read more
These past few months we have made no effort to disguise the fact that one of our favourite discoveries of 2015 has been Brussels based Ateliers J&J. Ever since we saw the studio's work as part of the exhibition MAD ABOUT LIVING – 24 Designers from Brussels during Cologne Design Week we've been obsessing about the tubular steel and solid wood objects which formed their inaugural collection. And now Ateliers J&J are ready to launch their second collection: their challenging second album, as
read more
If form follows function, what form does, could, should yearning and longing have? If architects are continually searching for a form that meets our individual understanding of the physical environment, what form does, could, should our individual emotional yearnings and longings have? Do we want our yearnings to have a form? Or are we not, perhaps, when all is said and done, happier when they remain abstract and unreachable? The seventh edition of Vitra Frankfurt's biennial Ampelphase
read moreCelebrated as the salvation of design. Denounced as kitsch. Fresh & invigorating. Vain & hifalutin. A watershed in design history. A passing fad. There are few architecture and design movements that divided opinion quite as much as the works of the Italian group Memphis. Or indeed which continue to divide opinion more than thirty years after their emergence. Although officially launched with an exhibition at the Arc '74 gallery in Milan on Friday September 18th 1981 Memphis can trace its
read more
In our recent review of contemporary Berlin creativity we noted that one of the problems increasingly being faced by Berlin is that of holding on to the ever increasing number of graduates from the city's many design institutions. Thus it seemed apposite to talk to a recent Berlin design graduate about the reality of life as a recent Berlin design graduate. A recent Berlin design graduate such as Gunnar Søren Petersen. Born and raised in Bonn Gunnar Søren Petersen studied Industrial Design
read more
In our Birthday tribute to the Finnish architect, designer and urban planner Eliel Saarinen we noted the central role his entry for the 1922 Chicago Tribune Tower competition played not only on the development of his own career but also on the development of modernist architecture in America. That the competition brought Eliel Saarinen such success and fame is all the more pleasing because his entry was almost not considered. The official closing date for the competition was November 1st
read more
If we're completely honest, until now the only piece of wickerwork about which we have ever gotten truly excited is The Wicker Man in Robin Hardy's eponymous 1973 film. All other wickerwork leaving us somehow cold. Almost as cold as the heart of Lord Summerisle. That however was until we saw Diana Stegmann's woven baskets presented as part of the Modern Crafts Talents section at Tendence Frankfurt 2015. Yes with their protruding stalks and unfamiliar forms Diana Stegmann's woven baskets are
read more
Buildings are, somewhat logically, 3D. Photographs 2D. The challenge of architecture photography is transforming the 3D to 2D in such a way that the building maintains its identity without the photograph becoming incomprehensible. Always has been. Always will be. One of the younger generation of artists to accept the challenge is Leipzig based photographer Margret Hoppe. Born in Greiz, Thüringen, Margret Hoppe studied photography at the Hochschule für Grafik und Buchkunst Leipzig, graduating
read more
We've said it so often that even we are somewhat tired of hearing it, but..... Portugal has lots of cork. Portugal has a, relatively, weak economy, Portugal has lots of very talented designers. 1+1+1= More Portuguese cork design would be an excellent idea. And while some Portuguese labels such as Blackcork, CorkWay or Vicara are investigating, admittedly with various degrees of success, contemporary uses for cork, in general when one finds Portuguese cork in the home it is invariably in
read more
Design Academy Eindhoven graduate Pepe Heykoop first reached an international audience when his flexible chair project, A Restless Chairacter, won the D3 award at IMM Cologne 2009, since then Pepe has gone on to achieve critical acclaim with projects such as the Chaos Chandelier, the Brick Series and the Skin Collection. And through his work for the Tiny Miracles Foundation. Established in 2010 by Pepe's cousin Laurien Meuter, the Tiny Miracles Foundation works with an impoverished inner-city
read more
As we noted in our post on the 2015 Garden Unique Youngstars competition winner "snak" by Gunnar Søren Petersen, the contemporary outdoor furniture market is largely a forgotten world as far as quality design is concerned. But, and as we also noted, it needn't be. The 2015 edition of the Garden Unique Youngstars competition staged as part of the spoga+gafa garden fair in Cologne presented 15 projects by young designers which showed that "design for outdoors" is no contradiction. We're not
read more
In 1960 Enzo Mari designed "16 Animali" for Italian manufacturer Danese. Comprising 16 wooden animal shapes "16 Animali" is simultaneously a child's jigsaw and 16 individual wooden toys to be played with and thrown about as wished. In 2014 with his son's second birthday approaching Prague based industrial designer Jakub Gurecký faced the question of what to give him? Yes, he could buy something, but surely as a qualified and experienced industrial designer he could also create something? But
read more
It is a fact, if not a universally known fact, that the New York Museum of Modern Art's 1940 “Organic Design in Home Furnishings” competition included a category “Furniture for Outdoor Living”. While much of what that now legendary competition instigated remains as relevant and contemporary as ever, the design of outdoor furniture has, regrettably, fallen somewhat by the wayside. A state of affairs ably demonstrated at the catchy titled "spoga+gafa garden fair 2015" in Cologne. Featuring hall
read more
The very first piece of product design George Nelson realised was inspired by architecture. The typical American family home in 1944 had storage problems: not only because increasing prosperity meant that a majority of 1940s Americans owned more than their parents and grandparents had ever possessed, but changing lifestyle practices meant they didn't own the same things their parents and grandparents had owned. Rather they owned things like golf clubs. Which don't fit in conventional
read more
As old Mother Goose, allegedly, once claimed: Thirty days hath September, and the following five enticing new design and architecture exhibitions which are probably well worth checking out if you get the chance....... "Piet Mondrian. The Line" at the Martin-Gropius-Bau, Berlin, Germany Just as those architects who were to lead the move to modernism in the first decades of the 20th century generally began working in more classic styles before being seduced by the reduced charm of modernism,
read more
As we noted in our recent review of contemporary creativity in Berlin, the creative landscape in the German capital is not just an eclectic composition of genres and philosophies but for all of nationalities: in addition to a, relatively, low number of native Berliner the Berlin creative community is characterised by a goodly mix of German and international creatives. International creatives such as the Danish architect Sigurd Larsen. Following completion of his studies at the Royal Academy of
read more
