The Burg Galerie im Volkspark Halle is open every day, is täglich geöffnet; and with their new exhibition, opens the every day: presenting artistic and design reflections on daily routine(s), the Alltag, and in doing so allows for new perspectives on the what, wherewith and wherefore of our (perceived) daily realities..... täglich geöffnet @ Burg Galerie im Volkspark, Halle The first in a series of exhibitions being staged throughout 2019 under the title, ABC, täglich geöffnet presents 26
read more
For the fifth year in succession ArkDes, Sweden’s national centre for architecture and design, is hosting the Ung Svensk Form/Young Swedish Design award/platform exhibition: a showcase of 25 projects providing for 25 understandings of contemporary design in/from Sweden. Ung Svensk Form/Young Swedish Design 2019 Exhibition, ArkDes Stockholm As noted in our post from Ung Svensk Form/Young Swedish Design 2018, inaugurated in 1998 by Svensk Form (the Swedish Society of Crafts and Design) and
read more
Since 1823 the good folks of Cologne have taken to the streets on the Monday before Ash Wednesday to mark the approach of Lent with one last day, (and night) of earthly, secular, celebration before resigning body and soul to the sanctity of abstention; the highlight being the Rosenmontag procession which weaves its way through the Altstadt Veedel on the city's left bank. From modest beginnings the Zoch has grown to become not only the largest Rosenmontag procession in Germany, but longer than
read more
How do we ensure there is sufficient, affordable, healthy, practical, accommodation for our contemporary population and their needs? Not just a question for today's society but arguably one that has been posed, considered and approached by architects and urban planners since the late 19th century. If, admittedly, without anyone ever solving the conundrum. Or at least not unequivocally. Or sustainably. With the exhibition Die Neue Heimat (1950–1982). A Social Democratic Utopia and Its
read more
"Beware the Ides of March" Julius Caesar was, allegedly, advised by the soothsayer Spurinna. And he probably wished he had. March 15th seeing his death at the hands of some 60 Senators, a death which led to civil war as opposing forces sought to control Rome's destiny. "Beware the 5th of the Calends of April" a modern day Spurinna would no doubt warn the good folks of the United Kingdom. March 29th looking as it is like being an equally fateful day. But while Caesar could have taken steps to
read more
No, it's not all shoulder pads and garish colour clashes....... although........ .......much more, with the exhibition 1980s - A new era in furniture design Stockholm's Museum of Furniture Studies explore furniture design in that most politically, culturally, socially and economically fluid of decades, and, and not completely unrelated, a decade which not only brought fundamental changes to understandings of furniture design, but arguably brought more abrupt, more curt, more enduring changes
read more
As regular readers will be aware, in these dispatches we, very, very occasionally, quietly bemoan a certain monotony at furniture trade fairs, protest that, if you will, we regularly find ourselves wading through an homogenous mass. On this occasion we will however let someone else make that observation on our behalf. In his 2015 book Swedish Design: An Ethnography the American anthropologist Keith M. Murphy notes of a visit to the 2006 Stockholm Furniture Fair, "[T]he only problem was, so
read more
It's been 8 years since we last visited an exhibition by Stockholm based studio Färg & Blanche. Then 2011, back in the days when we still had our own teeth, our own hair, dreams and aspirations which were in our control, it was the exhibition 20 designers at BIOLOGISKA, one of the most memorable locations we've ever viewed an exhibition in. And despite having been in many an impressive venues since, a multi-storey 360 degree diorama populated by stuffed animals in a range of habitats, remains
read more
The exhibition Against Invisibility – Women Designers at the Deutsche Werkstätten Hellerau 1898 to 1938 at the Kunstgewerbemuseum Dresden presents the biographies of 19 female creatives who despite being, to varying degrees, prolific in the early decades of the 20th century, became increasingly invisible post-War; and in doing so not only helps them to regain their visibility, not only ensures their contribution to the development of art and design in the first decades of the 20th century is
read more
According to US gonzo journalist, Hunter S Thompson, "the human animal needs a Good Reason to get out of bed on a wretched morning in February." 1 May we humbly suggest....... "Die Neue Heimat (1950–1982). A Social Democratic Utopia and Its Buildings" at the Architekturmuseum der TU München, Munich, Germany An exhibition about German high-rise housing estates with the subtitle "A Social Democratic Utopia and Its Buildings" could lead one to the conclusion it was about East Germany. Wrong!
read more
Despite what some may have us believe, Bauhaus didn't appear one morning from the slowly clearing mists of the Ilm valley; rather, and for all its lasting allure, Bauhaus 'twas but a moment on a longer, wider, international helix. One which began its twisting long before Walter Gropius and his merry band arrived in Weimar, and which continues, winding its way ever onwards, to this day. With the exhibition From Arts and Crafts to the Bauhaus. Art and Design – A New Unity! the Bröhan Museum
read more
"The role of the architect is one of organisation. The house is the considered organisation of our ways of life"1, opined the Austrian architect Margarete Lihotzky in 1921. And in the course of a long, varied career, she repeatedly demonstrated what she understood by such; including most famously, if somewhat narrowly, in a kitchen design............. Margarete Schütte-Lihotzky (1897-2000) (Photo 1997, Werner Faymann, source https://commons.wikimedia.org) Born in Vienna on January 23rd
read more
"...a new generation, a new age, must develop forms and tenors for their interior and exterior worlds which correspond to its desire for well-being and its ideals" wrote Frankfurt city mayor Ludwig Landmann in 1926.1 With the exhibition Moderne am Main 1919-1933 the Museum Angewandte Kunst Frankfurt explore how such developments were approached and realised in Frankfurt and environs, and by extrapolation explore the contribution made by the region to the evolution of inter-War understandings
read more
According to the posters to be found liberally distributed throughout the city, IMM Cologne 2019 promised to present "1000 furnishings ideas for your home" And it may very well have done. We didn't count. Not least because.... What interest the number, if the ideas themselves ain't meaningful? What interest the number, if the ideas themselves ain't logical? What interest the number, if the ideas themselves ain't justifiable? Or reducing the thought to its essence, what interest the idea if
read more
Fortune, we are told, favours the brave. Misfortune the reckless, but fortune the brave. Thus, summing all the bravery we could muster, we descended into the unknown of the Bunker am Bahngleis and the exhibition Generation Köln.....* Karoline&Klemens&Thomas&Tim. Generation Köln @ Passagen Cologne 2019 As noted in context of Generation Cologne 2018, we're not huge fans of generic umbrella terms such as "Generation", finding them not only distracting and counter productive, but also
read more
Although founded twelve years before Bauhaus Weimar, and despite overlaps in personnel and biographies, it would be incorrect to draw a direct line from the Deutsche Werkbund to the Gropius school, even if a line of sorts can, should, be traced between the two institutions. A line which serves not only to connect the two but to underscore the role both played in the development of contemporary understandings of formal aesthetics in the first decades of the 20th century, and also the influence
read more
The reason most of us fail to keep most of our New Year resolutions is, mostly, because we either resolve to give up things we enjoy or to do things we don't. Which is foolhardy in the extreme. If you wanted to do more sport, you would. If you wanted to eat less crisps, you would. But don't. And don't. So don't. The wiser choice is to resolve to do more of that which you enjoy, and thereby not only setting yourself an achievable goal but one which through the genuine fulfilment it brings
read more
On December 10th 1869 Gebrüder Thonet voluntarily relinquished their 1856 Privilege in respect of "The manufacture of chairs and table legs made of bent wood, the bending facilitated by the action of steam or simmering liquids"; thereby ending not only a thirteen year monopoly during which time Thonet became a firmly established global brand, but also the culmination of a neigh on three decade story which highlights the importance of patent protection in the furniture industry. Biegen oder
read more
Following the #smowblogfact revelation from Vitra Work at Orgatec Cologne 2018 that the smow blog office is devoid of shelving, we were inundated with an e-mail asking why? why has the smow blog office no shelving....? A very simple question, and one which for the first time caused us to pose ourselves a much more fundamental question, why? why, has the smow blog office no shelving....? Considerations which quickly evolved and diverged to concern themselves with the more general questions of
read more
While a Chair of Politics is a long established academic principle, the chair as politics represents a much more contemporary understanding of, not just chairs, but all those artefacts with which we share our world and our daily lives. With the exhibition Friedrich von Borries. Politics of Design. Design of Politics Die Neue Sammlung Munich explore, or perhaps more accurately, give architect and design theorist Friedrich von Borries free hand to explore, the intersection(s) of design and
read more
If you are planning visiting an architecture or design museum, anywhere in the world, in 2019, it will be staging a Bauhaus themed special exhibition. Guaranteed. There are literally millions of them lined up. If not billions. Which is no complaint. Or at least not unless they are exhibitions based on formulaic, lazy clichés. Then it is very much a complaint. But if they are exhibitions which take open, honest and unblinkered views on either the institution as a whole or a specific, ideally,
read more
Much as ever increasing co-working is altering understandings of and relations to work practises and office spaces, so to is ever increasing co-habitation altering understandings of and relations to domestic practises and spaces. Albeit domestic understandings that are altering without as much public discourse as afforded those occurring in the workplace. With the exhibition Together. The new architecture of the collective the Grassi Museum für Angewandte Kunst Leipzig explore, and thereby
read more
Slowly but surely the temperatures across Europe begin to fall, along with the leaves and the hours of daylight. Hibernation approaches. And by way of an accompaniment to the imminent long sleep, a Radio smow beds playlist. ...and so to bed! Back at the 2018 KABK Den Haag graduation festival the project Windows Without a View by Rudi van Delden investigated how you can "reclaim the missing third of your life”, i.e. when your in bed, and for all explored "the bedroom as the new office
read more
Designer, grib magten! enjoined the 2018 Design School Kolding exhibition, Designer, seize the power! Which not only sounds a bit more revolutionary than one is use to from Danes, but also implies designers should be in power. A position on which, and as we oft noted, we're highly sceptical. Intimately involved in power systems yes, but designers in charge....... Consequently we thought it wise to set course for the Design School Kolding 2018 Graduation Exhibition. Designer, grib magten!
read more
